Edith Schloss

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A Letter to Jean-Michel Before It's Too Late (via Hyperalleric)

© Estate of Edith Schloss, courtesy Artist Estate Studio, LLC. Photo: Silvia Stucky

© Estate of Edith Schloss, courtesy Artist Estate Studio, LLC. Photo: Silvia Stucky

In May 1981, painter Edith Schloss, who was a staff critic at the International Herald Tribune, published a review of the exhibition New York / New Wave at P.S. 1 (currently MoMA PS1). The review was the first mention ever of a rising young artist Jean-Michel Basquiat. Later that decade, Schloss penned a letter to Basquiat. She confesses her love for his work and offers him advice. And in a rambling, hyper-critical critique of the art scene in New York, she discusses the work of Philip Guston, Anselm Kiefer, Nell Blaine, Bill King, Arthur Dove, Marsden Hartley, Kenny Scharf, Susan Rothenberg, Eric Fischl, Donald Baechler, Jennifer Bartlett, Elizabeth Murray, Francesco Clemente, and others, as well as galleries, including Exit Art, Anina Nosei, and the East Village.

This is that letter.